Resonator and neck refinish
(Co founder of )
I am pleased to be working on this particular set
of pieces because Paul was "Instrumental" in helping me get started in
my repair business.
His company built some of the finest banjos that have
ever came out of the USA.
Liberty was an institution for over 25 yrs and have
had instruments grace the front covers of several Mel Bay teaching method
The Liberty "Cotillion" is still
one of the most sought after of all the Liberty Banjos, with only 8 being
produced in the entire time the company was up and running.
Paul, Bob Flesher, and James DeCava, are are still
well known in the circles that we run in and I am pleased to have been
asked to work on Paul's personal favorite.
Not as "Fancy" as the Cotillion, but it is a beautiful
Brazilian Rosewood example, of the fine workmanship found in all Liberty
Let's start the stripping.
I am using a stripper because I want ZERO wood removal on this baby.
Both pieces all done, and prepped for refinish
Isn't that a stunning siamesed resonator overlay?
I will be using a Kelly Moore High solids clearcoat sealer, for
Cleaning up all of the bindings before refinishing
First coat of sealer applied
Darkening some areas on the peghead reverse overlay to make the
abalone stand out when the clear goes on.
And the first sealer on the resonator.
I will be using a fast drying urethane that I have had excellent
results with and it has great optical clarity
It should really make the rosewood stand out.
There were a few small spots on the outside resonator binding that
just wouldnt lighten up and I did not want to scrape too deep so I left
that and re-named it "patina"
Now I will carry it on with
8 coats of clear and mail her back to Paul
I hope he is pleased
Thanks for watching