B&D #7 Symphonie Silver Bell
20 fret tenor
We have 1 bad Planet tuner, I will procure one
Minor celluloid crack and thumb rest area
Normal crazing of Varnish over ebony neck
Original frets will be left in place, and will be leveled and crowned
Divoting in fretwires shown here
Extension in good condition
Neck must be removed to change head as with all extended fingerboards
Richelieu bridge and head
Some parts were replated, probably when these parts were installed
The Orangish color of the plating on the replated parts were giving the pieces that were not plated a glow that looked as copper flashing but is actually brush plating process used by Richelieu at the time
When I get it all apart you can better see the parts color contrast
Seen here better with camera flash on armrest and hooksets
Tension hoop and tone ring match in older gold
Resonator backplate celluloid is shrunken and cracked in places, and lifting in 2 places
Celluloid's loses moisture over time and it has no choice but to crack when its glued down
Mute is complete and functional
Heel contact is good, neck angle and plane are good
3 piece ebony neck and carving all still VG
Original finish on neck
You can see the linear lines denoting the 3 planks of ebony
Many people say they are 1 piece ebony but that has never been the case in my shop to date
When the dye is still new and the finish is good, you cannot see the seams as well
Stepped flange in VG condition
Orig plating on mute inside
Pedal was replated outside
Matching numbers, all is well
Orig plating on attachment
Gravings intact and sharp
No refinish on rim
Patent info on Oettinger tailpiece
You can see where new plating has worn off on thumbscrews and old plating is showing again
This process of plating is not good for banjo and that is why Richelieu abandoned it. too many come backs
Even that little extension prohibits removal of hoop without neck coming off.
I have seen 3 of these broken off or cut off, so that a hoop could come off like a regular BD
We will save this one .........:):)
We have a problem here, the forward lag bolt is so compressed into the rim Im sure that whoever put on the head cocked the tone ring and it is caught on the lip
I have seen that 50 times at least
I have to say that tapping it out is not for the weak of heart so TeriAnn........close your eyes and Bob......you can look!
BANG BANG BANG!
Of course, now we know just how many were going to
fall out.......thats the bright side and the ones that are left.....are
This is why you take the pics BEFORE you start!
I'll set these and let it dry
This is showing the neck coming out....
And then free........Yes, even I sweated that!
All OK on the heel, that little tiny fleck of wood was the only real
casualty and Ill be putting it right back on.
Lightly cleaned and triple waxed
That's easy to tell its original plating when inside looks like this
You can really see the orange plating here
That is a 3000 micron paper, ultra fine, getting scum off, prepping to seal
I will use Hot Hide glue as they did on the majority and acrylic glue on the biggest gaps to offset that shrinkage
Hot and thinned
Poured on, and squeegee into the cracks
Now, the excess wipes off with water so no biggie, lets let it cure and do more in a little while
Everything wiped and waxed
Domino says " its late Dad, lets watch TV"
OK, for an hour :)
I will clean this with micro polish and wax it
Same as the heel, getting into the cracks
After Renaissance, now it has shine, looks better in person with no flash
A light leveling, they feel pretty good in that aspect
I can use my crowning file to at least radius the bar wire, that will help play smoother
And then the diamond crowning file
Fine wool and Tung oil for the fingerboard ebony, to revitalize it
Here we have a pic of the celluloid overlay lifting, I will shoot
in glue and clamp to cure
You can see the more rounded polished fret here too
Tung oil into the carving, it is THIRSTY
This gives life and luster without refinish
It is a hardening Nut oil
More celluloid woes around the edge
It looks awful in close up huh?
That's OK, I see it all the time, I will seal it down all the way round, and that one tip on the bottom overlay too
The razor helps you see it clearly
There is always a makers number right here and this one is a "3"
We do not know what it means ......yet :)
After cleaning and triple wax
I happen to have an original tone ring that was never plated, for
That is the notch that was crooked when they installed it after the new head, it acts like a lock if its not centered on dowel
A couple of stones were so marred I changed them out with some from my stock of real German stones.
I cannot promise they are actually from the "Rhine", but somewhere close!
Cleaned and waxed the front overlay, all hand polishing
Obtained a Planet tuner (peg)
in orig gold, Thanks Leo.
I'll add the MOP button and throw the old broken tuna in the case.
I found a skin head that came from this particular style banjo.
Im not installing it, Im sending it home with the banjo for posterity in case a skin is ever wanted.
The crease from the archring is already set and the head is maybe
30 years young and in good playing condition.
The green area is where armrest fungi grew from sweat.
It's covered for the most part when armrest is on it.
Im using a Waverly Fibserskyn 2, it looks like a skin head but is synthetic.
And an original Bacon Bridge
All adjusted out and ready to string
Needed a new bone nut so Im making one from old bone, I like to recycle
Strung to pitch and sounding good
I will let it settle in and tweak it, then get it home
What a fun banjo to have in my shop!!!
Thanks for watching
Tyler was in for some repairs and took a shine to this
It plays perfectly with itself in all areas of the fingerboard.
He found more harmonics than on anything we could remember and on this particular banjo the Waverly Fiberskyn was the best choice, it sounds like a Perry Bechtel setup.
It was great to have it in the shop at the same time, and he was nice enough to make a couple short sound bytes for TeriAnn which made it special.
Once again, I am blessed to have another of the greatest instruments from the Golden Age on Banjo pass thru my hands.
Thanks for watching